Richard Hawley's eponymous mini-album was one of this year's revelations, a haunting set of romantic crooners that sounded like a lost gem from the Roy Orbison archives. This first full-length outing from the Sheffield guitarist (who's done stints with Finley Quaye, Longpigs and Pulp) contains plenty of equally excellent songs cut from the same cloth - a combination of waltzing guitars, elegant lyrics of lost innocence and lonely train journeys and a faint tinge of eeriness that lingers in the memory long after the music dies away. Hawley's music has a classic, timeless feel to it that should appeal to 15 and 50-year-olds alike - and the exciting thing is that there should be plenty more albums left in him yet.
search for anything!
e.g. Fallout
or maybe 'Shōgun'
Monkey Man
Andrew Scott
search for anything!