Holding Pattern highlights the tension between humour and discomfort. Acknowledging the absurdity inherent in life, the work is often both Sisyphean and slapstick, there is equal measures of pathos and dry humour. The main focus of the exhibition is an inflatable "flyguy” wired up in front of a motion sensor. Sasaki presents the viewer a tragicomic installation, in which the “flyguy” writhes on the ground, convulsing in front of the motion sensor. If he were to stop for a moment, the power would shut off and he would fall still forever. Using video and found objects, the other works included in Holding Pattern present conceits which are unresolved, such as an obsoleteY2K mascot contemplating his future prospects, and moments unrequited, such as in the vintage unfulfilled dance cards, which have languished for decades having never served their sole function. Although the work might appear cynical on the surface, it is an earnest celebration of tasks undertaken with the foreknowledge of probable failure, but carried out with perseverance and unabashed optimism.
