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Moana 2
'Wish' is a simple yet effective blend of old-school musical magic
'Napoleon' succeeds in its battle scenes, but is thwarted by its ambition
'So This Is Christmas' examines the holiday season with empathy and humour
'Thanksgiving' is an outrageously fun, gleefully grisly slasher
'The Hunger Games: The Ballad Of Songbirds & Snakes' is as drawn out as the name suggests
Director Eli Roth on the underlying themes in 'Thanksgiving'
'Saltburn' absolutely sizzles with its cast, but sours all by itself
Emerald Fennell on why she wanted 'Murder on the Dancefloor' to be used in THAT 'Saltburn' scene
'The Marvels' is a symptom of a much wider problem with Marvel itself
'Dream Scenario' is a freakish yet insightful examination of celebrity culture
'The Royal Hotel' is a toxic slow burn of rage and sexism
American Fiction
'Bottoms' is a f***ed-up cocktail of violence, queer comedy, and feminism
'The Pigeon Tunnel' is a skilful portrait of a shadowy presence
'Five Nights at Freddy's' spends too long going absolutely nowhere
Jason Blum & Emma Tammi on adapting 'Five Nights at Freddy's'
'Killers of the Flower Moon' could well be Scorsese's darkest movie ever
'Foe' blends romantic drama with sci-fi, and Paul Mescal with Saoirse Ronan
'Trolls Band Together' is sweet or cynical, depending on your age
'Lies We Tell' is a chilling period thriller
'The Miracle Club' is made of gentle humour and rich performances
'The Exorcist: Believer' contorts itself into irrelevance
'BlackBerry' turns a corporate downfall into a raucous morality tale
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