In Robin Swicord's adaptation of E.L. Doctorow's short story, successful suburbanite commuter Howard Wakefield takes a perverse detour from family life: He vanishes without a trace. Hidden in the attic of his carriage house garage, surviving by scavenging at night, Howard secretly observes the lives of his wife and children and neighbors. WAKEFIELD becomes a fraught meditation on marriage and identity, as Howard slowly realizes that he has not in fact left his family, he has left himself.