Somewhere Beautiful

In a metatextual homage to Atom Egoyan's seminal Calendar (1993), Kodagolian films the first portion in South America, where the story revolves around a love triangle and a photographer's doomed relationship. Back in Los Angeles, Kodagolian finds himself filming what will soon become a tragic, alternate universe of his own fiction: looking after his two-year old daughter in the slow motion collapse of his own marriage.