With special guest Suzanne Lloyd and accompaniment from writer, composer and accompanist Neil Brand There may be no film image more iconic: Harold Lloyd, high above the street, dangling from the minute hand of a giant department-store clock. The face of the clock swings down; the minute hand bends. It’s been 90 years since the silent era’s greatest daredevil shot that sequence, and it still has the power to prompt shrieks and laughter.
Lloyd’s character was the All-American Boy, innocent in his horn-rimmed glasses, eager to climb the ladder of success – and like many a social striver before him, he was plagued by anxiety that he’d fall before he got to the top. Safety Last! made that metaphor literal: to earn the money to get the girl he braves harrowing heights, flocks of pigeons, a mouse up his pants leg and, near the top of his climb, a photo-studio explosion a bit like one that had happened to Lloyd in real life four years earlier. For a publicity shot, he’d lit a cigarette from what he thought was a prop bomb in his right hand – only it wasn’t a prop, and his hand was badly mangled.
All of Lloyd’s greatest thrill comedies were filmed after that accident. Think about that as he’s dangling from a ledge by one hand. That was Harold Lloyd – always trying to top himself, and reaching a comedy summit in Safety Last!
‘one of the best of this era’
This screening uses a restored print