The Green Hornet

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Rogen is spoilt rich kid, Britt Reid, who has never nailed down a purpose in life other than to get drunk and sleep with lots of beautiful women. When his rich, publisher father (Wilkinson) suspiciously kicks the bucket, he has to learn some responsibility and run family newspaper, The Los Angeles Sentinel. But instead he - along with one of his father's aides Kato (Chou) - invents vigilantes masquerading as villains in order to get closer to Christoph Waltz's sociopathic gangland boss. The Green Hornet is born, but it's Kato that does all of the work.

The action/comedy mix is a notoriously difficult balance to strike, and you can count on one hand just how many times Hollywood has gotten it right - generally it's when Shane Black is involved. Hornet succeeds mainly because it has cast extremely well in both respects. Rogen has a very specific, abrasive style of comedy that has evolved only slightly since his big break with Knocked Up. He can't drop F-bombs here because of the restrictive rating, so he needed to be a bit more creative with the gags. The result is far from his funniest, or best, performance but works well and organically given the end product. Some of the banter with Chou is surprisingly funny, with the famous Asian actor a constant highlight when in action mode.

Gondry's action sequences range from slick and impressive to choppy. There are one or two instances when cuts feel forced and the CGI obvious, but for the most part the French helmer does a solid job handling the explosions and thrills. His quirky sensibilities only really shine through whenever (an underused) Waltz's bad guy has a rant, while Cameron Diaz looks absolutely gorgeous but is essentially redundant.

A broad, entertaining action film with more than a few laughs, The Green Hornet is well worth a look.