Star Rating:

The Green Prince

Director: Nadav Schirman

Actors: Gonen Ben Yitzhak, Mosab Hassan Yousef, Sheikh Hassan Yousef

Release Date: Saturday 30th November 2013

Genre(s): Drama

Running time: US minutes

Similar in style to Man On Wire, Nadav Schirman’s documentary plays like a thriller, weaving together talking heads, dramatic reconstructions, archive footage and two wonderful storytellers.

How does a son of a Hamas leader turn collaborator and feed the Israeli security forces information on his whereabouts and planned attacks? In a candid fashion, Mosab Hassan Yousef tells his story directly to camera. The son of Hassan Yousef, a prominent Hamas leader, Mossab was initially anti-occupation: when his father was imprisoned for eighteen months, only to be arrested again six hours after his release, an angry seventeen-year-old son went about acquiring a weapon to exact revenge. Arrested, Mossab emerges from torture and sleep deprivation a hesitant collaborator and, codenamed The Green Prince, goes about slipping handler Gonen Ben Yitsak, the other sole interviewee here, information on his father’s comings and goings.

But if that wasn’t enough to make someone jump ship, a wide-eyed Mossab goes on. When he was a child he was raped by a member of his extended family, stating his culture ensures the raped feels as much shame as the rapist. It’s this shame, and his overcoming of it, that becomes the theme of the documentary. He feels the same when in prison he witnesses Hamas murder and burn the bodies of supposed informers, and later when children are turned into suicide bombers. As he saw it, the militant wing of Hamas was "leading an entire nation to death."

Shin Bet handler Gonen Ben Yitsak is just as frank about his involvement too. Using his degree in psychology, he explains in details how he manipulated the young Mosab into doing his bidding, knowing the toll it takes on the boy: "When I call someone to a meeting, I’m aware I’m destroying his life." To soften the blow, he blags a friendship, becomes a father figure, encouraging Mossab to finish his schooling. Slowly, Yitsak warms to what the Shin Bet call a ‘potential terrorist’ and his relationship with Mossab alienates his superiors.

The developments are edge-of-the-seat stuff. Working on his father to accept a path of peace, Mossab’s attempts are quashed by Shin Bet, who in turn have to arrest him and shoot up his house to keep the subterfuge believable. Behaving like a thriller that unfolds in three acts, complete with twists, reversals and characters arcs, this is absolutely riveting stuff.