The first album from The Redneck Manifesto in 6 years proves that, while we haven't heard much from them recently, they certainly haven't forgotten how to assemble a collection of dense, energetic rock songs.
It may have appeared to some observers that the success of Jape had all but scuppered the chances of The Redneck Manifesto developing an extensive back catalogue but Richie Egan and co. haven't abandoned the band who have become one of the most beloved live acts in Ireland over the past 10 years. 'Friendship' is an album full of swerving, fractured riffs which fizzes along at furious pace, enveloping the listener in a whirlwind of chaotic melody.
This is the most textured Redneck Manifesto album yet. Songs like 'Drum Drum' and 'Tomb of the Dudes' could sit comfortably alongside any of the songs on 2004s 'I Am Brazil', but others like opener 'Black Apple', while still familiar, shows a more layered approach than on previous albums. The band combined analogue and digital recording techniques in France's Black Box Studios in the production of 'Friendship', forcing upon themselves new methods to challenge their creativity. Perhaps, too, Egan's time served with the Choice Music Prize winning Jape, a musical project which excelled at a homemade electro-pop feel, has left an imprint on the album.
'Friendship' starts off hot and heavy, with 'Little Nose' being a particular highlight, before graciously allowing you a breather at the midway point with the subdued 'Hex'. The respite doesn't last (as if it would). 'Rubber Up' and 'Weird Waters' come at you like a hurricane before closing with 'Cloud Beard', the closest that The Redneck Manifesto have ever come to writing a melodic lullaby.
'Friendship' is an album for both hardcore fans and new converts alike. While it is undeniably familiar, it is a different kind of familiarity. Let's just hope we don't have to wait another 6 years for the next one. Buy this.
