Biffy Clyro
Only Revolutions
Review Date: 10 November 2009
Ayrshire trio Biffy Clyro follow up their most successful album to date with a record that should place them at the top of the UK's alt-rock pile. A tight, exuberant album, 'Only Revolutions' maintains a steady mix of hard rock and melody that should keep devoted fans happy, and maybe even win them a few new ones.
They went from being cult heroes to arena-fillers in the space of a couple of years, but you can't deny Biffy Clyro their success. The alt-rockers have steadily worked at developing their palette, and although a proportion of their fans were unhappy at the new direction their music took - from stuttering songs that twist, snake and weave in unexpected directions, to ones that thousands of people can scream back at them night after night - it also meant that the Scottish trio's appeal was considerably broadened.
Following their most successful album to date, (2007's 'Puzzle') is album #5, 'Only Revolutions', a record that's consistent with its predecessor. It's a collection of songs that aren't quite as experimental as the old guard may have liked, but there's plenty of tunes clocking in at a breakneck pace - 'The Golden Rule', 'Cloud of Stink' - to keep the moshers happy.
The more interesting aspect of Biffy Clyro is unearthed on tracks like 'Born on a Horse', though. A song that seems influenced by Simon Neil's excellent side-project Marmaduke Duke, its funky, buzzing bassline epitomises the true nature of 'Only Revolutions'; big, blustery anthems like the brilliant 'Mountains' sit alongside galloping pop-rock tunes like 'Whorses' without batting a proverbial eyelid. The theatrical aspect can't be discounted, either; 'The Captain' and 'Many of Horror' are almost Muse-like in their delivery and descent into jagged crescendos.
It says a lot that a guest appearance by one of the most revered modern rocks - Queens of the Stone Age's Josh Homme (on 'Bubbles') is virtually disregarded. This may not be Biffy Clyro's defining album, but it seems like they're edging ever closer to it.
Review by Lauren Murphy :
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